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Create Cutting-Edge Sounds with Plugin Alliance DS Audio THORN V1.2.0 - A Guide to Spectral Synthesis


Plugin Alliance DS Audio THORN V1.2.0: A Cutting-Edge Spectral Synth for Modern Sounds




If you are looking for a software synthesizer that can create punch y, powerful and modern sounds, you should definitely check out Plugin Alliance DS Audio THORN V1.2.0. THORN is a cutting-edge spectral synth that gives you complete control over the individual harmonics that go into creating a final timbre. THORN is designed by Dmitry Sches, a renowned sound designer and developer who has created other popular plugins such as Diversion and Tantra. THORN is a versatile and flexible synth that can handle any genre of electronic music, from ambient and chillout to techno and trance. In this article, we will explore the main features and benefits of THORN, and why it is a great tool for any electronic music producer.




Plugin Alliance DS Audio THORN V1.2.0



The Sound Engine: Spectral Synthesis Method




THORN uses a unique sound engine that is based on spectral synthesis. Spectral synthesis is a method of creating sounds by manipulating the individual harmonics that make up a complex waveform. Unlike traditional subtractive synthesis, which starts with a rich waveform and filters out unwanted frequencies, spectral synthesis starts with a simple waveform and adds or modifies the harmonics to create the desired sound. This gives you more control and flexibility over the sound design process, as you can shape the sound at the harmonic level.


THORN's sound engine consists of three main components: the oscillators, the filters and the effects. Each of these components has its own spectral effects that allow you to modify the harmonics in various ways. For example, you can use spectral distortion, spectral sync, spectral FM or spectral RM to create interesting and complex timbres. You can also use spectral filtering to remove or boost certain harmonics, or use spectral delay to create rhythmic patterns. THORN's sound engine is capable of producing a wide range of sounds, from warm and analog-like to cold and digital-like, and everything in between.


The Oscillators: Three Harmonic Oscillators with Harmonic Filter




THORN has three harmonic oscillators that generate the basic waveforms for your sound. Each oscillator can produce one of four basic waveforms: sine, saw, square or noise. You can also load your own custom waveforms in WAV format into the oscillators, or use one of the 200+ factory waveforms that come with THORN. The oscillators have a pitch range of -48 to +48 semitones, and can be tuned in cents or hertz. You can also adjust the phase and volume of each oscillator.


Each oscillator has its own harmonic filter that lets you modify the harmonics of the waveform. The harmonic filter has two modes: additive and subtractive. In additive mode, you can add up to 16 harmonics to the waveform, each with its own frequency, amplitude and phase. In subtractive mode, you can remove up to 16 harmonics from the waveform, each with its own frequency and amplitude. You can also use the harmonic filter to create custom waveforms by drawing your own harmonics on the screen.


Each oscillator also has its own spectral effects that let you further shape the sound at the harmonic level. The spectral effects include:



  • Spectral Distortion: A distortion effect that applies different types of distortion to each harmonic separately.



  • Spectral Sync: A sync effect that resets the phase of each harmonic according to a master frequency.



  • Spectral FM: A frequency modulation effect that modulates the frequency of each harmonic by another oscillator.



  • Spectral RM: A ring modulation effect that multiplies the amplitude of each harmonic by another oscillator.



  • Spectral PWM: A pulse width modulation effect that changes the duty cycle of each harmonic.



  • Spectral Hard Sync: A hard sync effect that resets the phase of all harmonics according to a master frequency.



The oscillators also support FM, RM, PWM and Hard Sync between them, allowing you to create complex and rich sounds with cross-modulation. The Filters: Two Analog-Modeled Multi-Mode Filters with Zero Delay Feedback Path




THORN has two analog-modeled filters that help you tailor your tones and make them shine in the mix. Each filter can operate in one of six modes: low-pass, high-pass, band-pass, notch, peak or comb. The filters have a slope of 12 or 24 dB per octave, and can be switched between two types: clean or dirty. The clean type has a smooth and transparent sound, while the dirty type has a more aggressive and saturated sound. You can also adjust the resonance and drive of each filter, as well as the input and output levels.


Each filter has a zero delay feedback path, which means that there is no delay between the input and output of the filter. This results in a more accurate and stable sound, especially at high resonance settings. The zero delay feedback path also allows you to use the filters for self-oscillation, creating pure sine waves that can be used as additional sound sources.


Each filter also has its own spectral effects that let you modify the harmonics of the filtered signal. The spectral effects include:



  • Spectral Filter: A filter effect that applies different types of filters to each harmonic separately.



  • Spectral Delay: A delay effect that applies different delay times to each harmonic separately.



  • Spectral Shift: A pitch shift effect that shifts the frequency of each harmonic by a fixed amount.



  • Spectral Spread: A stereo spread effect that pans each harmonic to a different position in the stereo field.



The filters can be configured in serial or parallel mode, allowing you to create different combinations of filtering effects. You can also use the filter mix knob to blend the signals from both filters. The Modulation: Three ADSR Envelopes, Three LFOs and Two Multi-Stage Envelopes




THORN has a powerful and flexible modulation system that lets you modulate any parameter you'd like to create dynamic and expressive sounds. THORN has three ADSR envelopes, three LFOs and two multi-stage envelopes as modulation sources. You can assign any of these sources to any of the modulation destinations using the drag-and-drop method. You can also adjust the modulation amount and polarity for each assignment.


The ADSR envelopes are standard envelope generators that have four stages: attack, decay, sustain and release. You can use the ADSR envelopes to modulate parameters such as volume, filter cutoff, pitch, etc. You can also adjust the curve and velocity sensitivity of each envelope stage.


The LFOs are low-frequency oscillators that can produce periodic modulation signals. You can use the LFOs to modulate parameters such as filter cutoff, pitch, pan, etc. You can also adjust the shape, rate, phase, sync and fade of each LFO.


The multi-stage envelopes are complex envelope generators that can have up to 16 stages. Each stage can have its own level, time, curve and loop settings. You can use the multi-stage envelopes to create custom modulation shapes that can modulate parameters such as volume, filter cutoff, pitch, etc. You can also adjust the sync and retrigger options of each multi-stage envelope.


The Effects: Nine High-Quality Effects for Polishing Your Sound




THORN has nine high-quality effects that you can use to enhance your sound and breathe life into it. The effects are:



  • Distortion: A distortion effect that adds harmonic distortion and saturation to your sound. You can choose from four types of distortion: tube, tape, foldback and bitcrush.



  • Lo-Fi: A lo-fi effect that degrades the quality of your sound by reducing the bit depth and sample rate. You can also add some noise and jitter to simulate analog imperfections.



  • Chorus: A chorus effect that creates a thick and lush sound by adding multiple copies of your sound with slight variations in pitch and time. You can adjust the depth, rate, feedback and width of the chorus effect.



  • Flanger: A flanger effect that creates a sweeping and metallic sound by adding a delayed copy of your sound with a modulated delay time. You can adjust the depth, rate, feedback and width of the flanger effect.



  • Phaser: A phaser effect that creates a swirling and psychedelic sound by adding a phase-shifted copy of your sound with a modulated phase shift. You can adjust the depth, rate, feedback and width of the phaser effect.



  • Delay: A delay effect that creates an echo effect by adding a delayed copy of your sound with a variable delay time. You can adjust the time, feedback, damping and width of the delay effect.



  • Reverb: A reverb effect that creates a sense of space and ambience by adding a diffuse reflection of your sound with a variable decay time. You can adjust the size, decay, damping and width of the reverb effect.



  • Compressor: A compressor effect that reduces the dynamic range of your sound by applying gain reduction to the loud parts and gain boost to the quiet parts. You can adjust the threshold, ratio, attack, release and makeup gain of the compressor effect.



  • Limiter: A limiter effect that prevents your sound from clipping by applying gain reduction to the peaks that exceed a certain level. You can adjust the threshold and release of the limiter effect.



You can use up to four effects at once in THORN's effects rack. You can also change the order of the effects by dragging them around. You can also bypass or solo each effect individually. The Glitch Sequencer: A Pattern-Based Glitch Effect for Adding Movement and Interest




THORN has a unique feature that sets it apart from other synths: the glitch sequencer. The glitch sequencer is a pattern-based glitch effect that allows you to create glitch-effects that have become an essential part of electronic music production. The glitch sequencer can add movement and interest to your sound by applying various types of glitches to it, such as stutter, reverse, gate, tape stop, scratch, etc.


The glitch sequencer has 16 steps, each with its own glitch type and amount. You can also adjust the length, rate, swing and shuffle of the sequence. You can use the glitch sequencer to modulate any parameter in THORN, such as volume, filter cutoff, pitch, etc. You can also sync the glitch sequencer to the host tempo or use an external MIDI clock.


The glitch sequencer has four modes: off, normal, trigger and gate. In off mode, the glitch sequencer is disabled. In normal mode, the glitch sequencer runs continuously according to the sequence settings. In trigger mode, the glitch sequencer is triggered by a MIDI note or a modulation source. In gate mode, the glitch sequencer is gated by a MIDI note or a modulation source.


The glitch sequencer can create a variety of effects, from subtle to extreme, depending on the settings and the sound source. You can use the glitch sequencer to spice up your sounds and make them more interesting and dynamic.


The Noise Oscillator: A Noise Generator with WAV-Sample Playback Feature




THORN has a noise oscillator that lets you add noise to your sound with different modes and options. The noise oscillator can produce white noise, pink noise or brown noise, each with its own frequency spectrum and character. You can also load your own custom noise samples in WAV format into the noise oscillator, or use one of the 50+ factory noise samples that come with THORN. The noise oscillator has a pitch range of -48 to +48 semitones, and can be tuned in cents or hertz.


The noise oscillator also has its own filter and envelope that let you shape the noise sound. The filter can operate in one of four modes: low-pass, high-pass, band-pass or notch. The filter has a slope of 12 or 24 dB per octave, and can be switched between two types: clean or dirty. The filter also has resonance and drive controls. The envelope is an ADSR envelope that controls the volume of the noise oscillator. You can also adjust the curve and velocity sensitivity of each envelope stage.


The noise oscillator can be used to add texture and character to your sound, or to create percussive and atmospheric sounds. You can also use the noise oscillator as a modulation source for other parameters in THORN. The Presets: A Carefully Crafted Sound Library with Over 600 Presets




THORN comes with a carefully crafted sound library that contains over 600 presets, covering a wide range of genres and styles. The presets are organized into categories such as bass, lead, pad, pluck, keys, synth, drum, fx, etc. You can also create your own presets and save them in THORN's user folder. You can also browse and load presets using THORN's preset browser, which has a search function and a tag system.


The presets are designed by Dmitry Sches himself, as well as other professional sound designers such as Rob Lee, Aiyn Zahev, Joseph Hollo, Xenos Soundworks, and many more. The presets showcase the sonic potential and versatility of THORN, and can be used as they are or as starting points for your own sound design. You can also tweak and modify the presets to suit your needs and preferences.


Here are some examples of the presets that you can find in THORN's sound library:



Category


Preset Name


Description


Bass


Bass - Acid 303


A classic acid bass sound with a squelchy filter and a glitchy sequence.


Lead


Lead - Blade Runner


A nostalgic lead sound inspired by the iconic soundtrack of Blade Runner.


Pad


Pad - Dreamy Choir


A lush and ethereal pad sound with a choir-like texture and a gentle modulation.


Pluck


Pluck - Glass Harp


A bright and delicate pluck sound with a glassy timbre and a subtle reverb.


Keys


Keys - Electric Piano


A warm and smooth electric piano sound with a vintage vibe and a soft distortion.


Synth


Synth - Analog Brass


A powerful and rich synth brass sound with an analog character and a wide stereo spread.


Drum


Drum - Kick 01


A punchy and solid kick drum sound with a tight low end and a crisp high end.


FXFX - Riser 01A dramatic and tense riser sound with a sweeping filter and a glitchy delay.


The User Interface: A Simple, Flexible and Effective Design




THORN has a simple, flexible and effective user interface that is easy to use and navigate. The user interface consists of four main sections: the header, the main panel, the footer and the sidebar. The header contains the global controls such as preset browser, undo/redo, MIDI learn, etc. The main panel contains the main modules such as oscillators, filters, effects, etc. The footer contains the modulation matrix and the arpeggiator. The sidebar contains the additional modules such as envelopes, LFOs, multi-stage envelopes, etc.


The user interface has different skins that you can choose from to suit your taste and mood. You can also resize the user interface to fit your screen resolution. You can also customize the user interface by showing or hiding different sections or modules. You can also use the tooltips to get more information about each parameter or control.


The user interface is designed to be intuitive and user-friendly, without compromising on functionality or quality. You can access all the features and parameters of THORN with ease and convenience. The Compatibility: A Cross-Platform Plugin that Supports Various Formats




THORN is a cross-platform plugin that supports various formats and hosts. THORN can run on Windows and Mac OS X operating systems, and can be used as a standalone application or as a plugin in your DAW. THORN supports the following plugin formats: VST2, VST3, AU and AAX. THORN can also be used with NKS-compatible hardware controllers such as Native Instruments Komplete Kontrol and Maschine.


To install THORN, you need to download the installer from the Plugin Alliance website and follow the instructions. You also need to activate THORN using the Plugin Alliance Activation Manager, which requires an internet connection and a Plugin Alliance account. You can activate THORN on up to three computers at once, and you can also use a USB flash drive as a portable license key.


THORN is compatible with most popular DAWs such as Ableton Live, Logic Pro, Cubase, FL Studio, Pro Tools, etc. THORN can also be used with other plugins such as effects, MIDI processors, etc. THORN has a low CPU usage and a high-quality sound engine that ensures a smooth and reliable performance.


The Price: A Reasonable Cost for a High-Quality Product




THORN is a high-quality product that offers a lot of features and benefits for electronic music producers. THORN is also reasonably priced, considering the value and quality that it provides. THORN costs $149 USD, which is a one-time payment that includes lifetime updates and support. You can buy THORN from the Plugin Alliance website or from other authorized dealers.


THORN also offers a 14-day trial period, which allows you to test and evaluate the plugin before buying it. You can download the trial version from the Plugin Alliance website and use it without any limitations or restrictions. You can also compare THORN with other similar plugins and see how it stands out from the competition.


THORN is a worthwhile investment for any electronic music producer who wants to create cutting-edge spectral sounds with ease and flexibility. THORN is a powerful and versatile synth that can handle any genre and style of electronic music, from ambient and chillout to techno and trance. THORN is also a fun and inspiring synth that can spark your creativity and imagination. The Reviews: What Other Users and Experts Say About THORN




THORN has received a lot of positive feedback and testimonials from users and experts who have tried and reviewed the plugin. THORN has been praised for its sound quality, versatility, ease of use, and innovation. Here are some of the reviews that THORN has received:



  • "THORN is a very powerful synthesizer with a lot of sonic potential. It sounds great, it's easy to use, and it has some unique features that make it stand out from the crowd. I especially like the spectral effects and the glitch sequencer, which add a lot of character and movement to the sounds. THORN is a must-have for any electronic music producer who wants to create modern and cutting-edge sounds." - Rob Lee, sound designer and producer.



  • "THORN is one of the most impressive synths I've ever used. It has a very clean and crisp sound, with a lot of depth and detail. The spectral synthesis method is very flexible and intuitive, allowing you to create sounds that you can't get with other synths. The modulation system is also very powerful and easy to use, giving you a lot of control and expression. THORN is a synth that inspires creativity and experimentation." - Aiyn Zahev, sound designer and producer.



"THORN is a synth that delivers on all fronts. It has a superb sound quality, a wide range of features, and a user-friendly interface. The spectral synthesis engine is very innovative and original, offering a new way of creating sounds that are both complex and organic. The effects section is also very impressive, with high-quality effects that enhance the sound without compromising it. THORN is a synth that deserves your attention." - Computer Music Magazine.<


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